John Hall Thorpe Boxed Notecard Assortment

Pomegranate

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John Hall Thorpe’s colorful woodcut prints depicting flowers and landscapes made him a household name in the early 1920s. His work became an international phenomenon and included accessible, inexpensive, and bright reproductions to liven up any home. At the forefront of interior decoration in his time, he also influenced trends in wallpaper design. His work eventually fell out of fashion but, 60 years after his initial fame, experienced a resurgence in popularity during the 1980s. Today his prints are highly sought after and hang in many museums around the world, including the four works on these notecards, which are part of the collection of the National Gallery of Canada. Contains five each of the following notecards: Country Bunch, before 1924, Crocus, 1922, Cowslips, before 1924, Anemones, 1922.

• 20 blank notecards (5 each of 4 designs) with envelopes in a decorative box
• Printed in full color on FSC paper with soy based inks
• High-quality 250 gsm card stock
• Soft white envelopes
• Pomegranate’s notecard sets feature exclusive selections of art from museums and artists around the world

Published with National Gallery of Canada

Box size: 5.375 x 7.375 x 1.5 in.
Card size: 5 x 7 in.

The Australian-born artist John Hall Thorpe had learnt the art of colour woodblock printing in the early 1890’s while still living in Sydney; however, he was not to use this art form as a creative medium until many years after his move to London in 1902. Like the key members of the Grosvenor School of Modern Art, Hall Thorpe attended Heatherley’s School of Art and by the end of the First World War he had begun to make the style of colour woodcut through which he was to achieve lasting fame. He held his first one man show of his colour woodcuts in London in 1918 and his success was established almost immediately. Hall Thorpe became one of the foremost exhibitors at the Colour Woodcut Society, which was formed in 1920, and by 1930 his woodcuts were sold worldwide.

The gaily coloured original woodcuts of John Hall Thorpe (Australian, 1847-1947) became something of an international phenomenon during the 1920’s and 30’s. Designed with the specific intention of providing bright, colourful decoration, Hall Thorpe’s hand-made prints were produced as a reaction against what he saw as the dull, laborious realism of so much of the decoration in people’s homes at the time. These simple yet highly distinctive hand-made works were immensely popular in their day and will remain a definitive statement of interior design between the two World Wars.

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